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Slash City (14mins 2020) Thanks to @newcontemps, @southlondongallery & @corridor8 for creating space for new work with NWxNC & @freya_dooley @judebrowning @verrism @lurosecunningham @leohermitt for thought, care & skill.

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A speech for a lectern, 13 minutes. Performed by Kirsty Clark.

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In a reading room (with @soft.singer)

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Images from draft script of Rotters (2019)

Camera: Oliver Bradley-Baker
Voices: Kirsty Clark, Samson Dittrich, MKH, Rotter
Producer: Catherine Bray
Commissioning Assistant: Jake Cunningham

Rotters Production Still (Sparky)
sculptures, sound, lighting, script, program

Installation view – June 2019.

Rotters is a situation for four sculptures over 20 minutes, running in a continuous loop.

‘A kangaroo court in a storage cupboard, Rotters (2019) holds four sculptures in a looped dialogue. Two interrogators—Sparky the school locker, and Swall the watchtower—push the reticent Rotter the perspex box, for ‘FACTS’. Haunted by the looming presence of So-N-So and the pressure of uncomfortable memories, Rotters scene-of-the-crime is a collision between different forms of inquest.’

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yes i broke the vase / the coffee pot and no i will not offer replacements you understand the circumstances i do not know why you continue to ask this of me Rotters is open again as part of exhibition today Weds 26th 12-6pm. 128 Bullingdon road, Oxford #ruskinshow2019 #ruskinmfa #rotters

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With Kirsty Clark and Samson Dittrich.

Special thanks to Jon Roome and Ghislaine Leung.

Screening at Modern Art Oxford with Ruskin Shorts ty ty: